Don't miss it

This is a great album---don't buy a few songs and think you've got it. Like Green Day, you need the entire album. Unlike most new albums, multiple singers, multiple sounds,something new every time you listen. Almost like an old Beatles album with everybody doing more than expected. Don't miss this one, it is more than it seems, much more.

The Suburbs

Seriously...one of the best albums I have ever heard. I have listened to it 2-3 times a week since it came out

Deeply disappointing

Arcade Fire was not an "instant get it" for me. I initially found both Neon Bible and Funerals overwrought, over-arranged, and sonically muddy. But they have long since both worked their way into my permanent playlist, and my listening world would be poorer without them.

So it was natural that I would give The Suburbs plenty of listening time before coming to a conclusion. Especially since many of my favorite albums of the past year, like New Pornographers' Together, took repeated listening to appreciate.

But no, time has not helped. There is little of the rhythmic and vocal urgency that made their earlier work such a delight, and the problematic mixing has gotten worse.

Sigh. Disappointed.

Arcade Fire's diminishing returns

I absolutely loved Funeral. That album has been in rotation since I bought it. I never grow tired of hearing Neighborhood 1. I purchased The Neon Bible with the great hope that the album would be nearly as good as the one that preceded it, but I found myself growing tired of it very quickly. Here it is, a few years later, and I rarely listen to a single song off of that album. I was hoping it was just the difficulty bands sometimes face when creating a masterpiece and then having to follow that album with one that, while rarely is as a good as it's older sibling, can at least can stand on its own.

The latest album from Arcade Fire is starting to make me think they are the M. Night Shyamalan of the music world; each new release is more and more disappointing. I try to give them the benefit of repeated listenings but each time I get less and less from The Suburbs. I hope that maybe it'll grow on me, but I have little hope for such luck. Borrow it from a friend before you buy it.

Yawn...

Is this supposed to a concept album. I don't know but it feels overblown though that other reviewer is WAY off anything on MTV is not indie... and wow My Chemical Romance? Anyway... I don't know why I don't care for it other than in my musical life I've always wanted to look back and not forward scouring what came before to see how what is popular today got here. And inevitably I find myself more and more unimpressed with new stuff because it has all been said and done before. I feel bad because it just get more jaded.

This album feels like the tried to hard to make a message and rock it. It feels like they really tried to put out something to make music critics drool over because the last album was just so good (I wouldn't know). I don't care about indie that term is bunk anyway. Jacqui Naylor is indie and she isn't on MTV or the radio so explain that.

Anyway. It is loud and rockin' and certainly better than most of the trash that we Americans collect and call music. But it is not better than stuff from the underground scenes of the 60s, 70s and 80s in my opinion. And I question when a band gets popular in the way Arcade Fire has. Does this mean they have become so generic they appeal to a wide base?

Sure this has always gone on but I would argue the quality was better back in the early days of rock. Dynamic range anyone? In the it feels bloated and pompous and self important. Not my bag.

I like it, but not as much as Gossip

I've listened to it for a couple of weeks before reviewing. I like this album, but it's not as interesting to me as "Gossip In The Grain", which I think is his best so far.

There's not as much variety as on "Gossip". Another reviewer said that, unlike this album, "Trouble" didn't have much diversity. But my thought before reading the reviews was that this album was pretty similar to "Trouble", though with a lot more fire.

For a few days, the 2nd track -- "New York City's Killing Me" -- acted as somewhat of a roadblock. I'd start listening to the CD, which begins with the excellent, aggressive "Repo Man", and get to the 2nd track and just turn it off.

Even though I don't much like the 2nd track, the contrast between "New York City's Killing Me", where he sings "There's just something about this hotel -- Got me wishing I was dead -- Gotta get outta New York City, son" and then the line in the track that follows: "Caroline in the mountains; sun sets up in ribbons high -- I don't never wanna get old; never wanna die..." is a pretty interesting contrast. You know where he belongs.

After the first track, the first half is pretty same-sounding. The title track stands out. It starts to get a bit more interesting by the 5th or 6th track and then holds it for the remainder. But I wouldn't say that it's an album where every track is perfect.

The recording quality is very good and airy. It's not one of those CDs that was mastered explicitly for the iPod audience.

If you preferred his first two albums, I think you will like this one. If you thought "Gossip In The Grain" was his best to date, this one might feel like a step backward to his prior sound.

A delightful 4 and 1/2 stars

This is my first taste of Ray LaMontagne - I'd been ignoring the persistent amazon.com "recommendation" for Gossip in the Rain, until I heard his latest in a music store and got it immediately, and I'm pleasantly surprised how much I like it. My first impression was of Joni Mitchell (vocal and musical styling), but it has a wider early 70 soft rock/americana sound - like Dan Fogelberg, or Jonathan Edwards. Yet the production/recording is better - crisp, full and clean - 2010 quality. And then there's the opening song (Repo Man), which musically reminds me of a cross between Rory Gallagher's "Walk on Hot Coals" and Seatrain's "13 Questions" - maybe it's not world class song-writing but it reflects a fine reto heritage indeed!

Re: Location

Where in "western Massachusetts" is this home? I grew up in Springfield, Ma. and am curious to know the general location.
I know how beautiful the area is and could think of many places it could be, but would like to know the truth all the same.

Best CD he's put out since Trouble

This album is a refreshing breath back to Trouble, Ray's first CD, because it's just the right mix of melody and harmony, supported by Ray's lyrics. His voice sounds great on this album, and the song listing is really clever. It's a little bit of blues, folk, alternative country, and jazz, all on one CD, without sounding disjointed. The songs show Ray's range as both a singer and songwriter. I'm hoping his future projects allow him to keep growing, as an artist. This is a great CD and any fan of Ray LaMontagne should own it.

Disappointed

I listened to the snipets of Ray's new album and it's way to country sounding for this girl. The instruments make it sound that way and maybe that's the sound he wanted to go for but I don't enjoy any kind of country-sounding music so I will not be buying this album. His first album blew me away and I loved his smokey voice and the bluesy music but his other albums haven't quite met my expectations. Totally bummed!

It doesn't just smell yummy!!!

Not only does it smells good, it sounds good too! This album is really amazing. It definitely not a spin off her old album. Each songs sounds different and tells a story too! She even blends different music styles. She has good pop, r&b, and even some rock. She gets a little dark, and there are some flirty and lovely dovey songs too! I really recommend this album!!!!

-T.K ^ ^

Katy's Teenage Dream

This ia a good pop album! I enjoy it every day when I am at work. This album will move you physically and emotionally. The album is a glorious evolution from her last album. This record showcases an artist who dares us to join her as she experiences everything she face in life. She called this album, Teenage Dream, because she felt like she always wanted to be that pin-up poster. THis album will be successful!!

Katy melts my popsicle

This CD is awesome. ET, Last Friday Night, Peacock, and Teenage Dream are my favorites. I can't wait to blast it in my car when I go out tomorrow night!!!! KH

A guilty pleasure...

I regard TEENAGE DREAM as a guilty pleasure; I think Katy herself has a irritating personality and her vocal abilities are somewhat limited, so she needs slick production [Max Martin, Dr. Luke, Benny Blanco, Rico Love, Greg Wells, Tricky Stewart, Stargate] to boost it.

But she does make up for this with a solid song-writing talent; She has co-wrote every track on TEENAGE DREAM, while guest writers include the likes of Lukasz Gottwald, Max Martin, Bonnie McKee, Benjamin Levin, Calvin Broadus and Greg Wells.


Katy herself admitted to not wanting to alienate her existing fanbase by changing her sound, so it's good news for 'One Of The Boys' lovers, however I was not wowed by that album so was unsure about getting this. What changed my mind was the fact that she released three promotion singles [Not Like The Movies, Circle The Drain and E.T.] on US Itunes in the run up to the album's release and I loved those, and if the label released those early then they must be saving the best tracks for the official release, right?


Wrong. The promotional tracks and the already released singles are by far the best things that the album has to offer. To be blunt; There isn't one new song that instantly strikes me as solid single worthy material. 'Firework' is rumoured to be the third single - all I can say to that is thank God the album was released first.

But it's not all bad news; Out of the remaining seven tracks there's only one track [Peacock] that I instantly took a dislike to, and since it's one of those songs that gets stuck in your head, I still sneakily listen to it. In fact: There's only two songs out of the twelve that I skip, and whilst the remaining songs are too samey to the stronger tracks, I wouldn't call them bad.

At the end of the day I consider TEENAGE DREAM to be a solid album and find it much stronger than 'One Of The Boys'.


Oh; The CD is scented with a candy floss fragrance. Cute.


- - - - - - - -
Tracklist
- - - - - - - -

1. Teenage Dream

This is the type of song I term as a 'grower'. The simple, guitar lead music does nothing for me and Katy's vocals are a bit screechy at the start, but I love the lyrical content; Her love for Russell Brand is equal to to the dizzying rush of your first love. The lyrics tell a story, as opposed to being empty and emotionless noise.


2. Last Friday Night (T.G.I.F.)

Katy tells us about her booze and funfilled Friday night, which features a menage a trois.

She sticks to the guitar lead, pop/rock music from her 'One Of The Boys' era. The lyrics are simple and cheerful, good but not memorable. I can see this as a single though, as it's very radio friendly.


3. California Gurls (feat. Snoop Dogg)

Katy's number 1 smash.

This is pure, electro-tinged pop, that is a dedication to - bet you never saw this coming - California's female population. When I sit here trying to break the song down to review it I can't find anything valid to say about it; It's success is do to it having simple lyrics that get stuck in your head.


4. Firework

This is another 'One Of The Boys' throwback, with light synths and lyrics that are upbeat and are quite shouty.

It's meant to be inspiring as she encourages someone to "ignite the light and let it shine". There's nothing about I instantly dislike, but neither the music nor lyrics has a hook to them, so I don't find this memorable.


5. Peacock

I find this similar to 'California Gurls' in that the music is electro-tinged rock/pop and the lyrics are simple and get annoyingly stuck in my head.
The whole thing is basically Katy asking to see a guy's "Peacock" [wink, wink], I think this is meant to be humorous but I just find it childish.

Oh; The spoken verse is amazingly embarrassing "Oh my God no exaggeration, boy all this time was worth the waiting, I just shed a tear, I am so unprepared, You've got the finest architecture, End of the rainbow lookin' treasure, such a sight to see, And it's all for me".


6. Circle The Drain

This track tells us the story of how Katy's ex-fiance's drug addition eroded their relationship, to the point where she had to leave as she couldn't bear to stick around and watch him self-destruct and "circle the drain".

The rockier music really suits her somewhat shouty vocals and is a bit different to the other tracks, so I loved it at first and was tempted to call it the standout track on the album, however the line of the bridge where she informs us that Travis "Fell asleep during foreplay" is a low blow against a man struggling with a serious addiction and I find it somewhat distasteful.


7. The One That Got Away

We once again return to classic Katy Perry with pop/rock music [this time it's drum lead, rather then guitar lead for a change] and lyrics that tell a story: This time about a teenage love that fizzled out.

I think the track's style is very similar to 'Teenage Dream', but it falls slightly short of the mark for me. A track I skip over.


8. E.T.

This is Peacock: Part II. Another electro favoured track, which once again contains cringe-worthy lyrics, this time dedicated to what a great lover Russell Brand is. I'm not sure how saying your lover is like a alien is supposed to be sensual, but I love the music so this is probably the track I've played the most.


9. Who Am I Living For?

Another soft-sync production which raise my opinion of the track. I think the lyrics are about Katy finding self-confidence and strength in dealing with her increasingly public life. Or war.

The style is a nice fit for her vocals, but the meaning of the lyrics isn't clear for me, so it becomes empty noise.


10. Pearl

Katy says this is her favourite track on the album.

This again has a slick soft-synchs and lyrics that aren't clear to me. The song is about how a woman who used to be strong has now become stuck. Stuck by what or who. Is it someone Katy knows in her personal life or is it a public figure?

Placing it next to 'Who Am I Living For' is a mistake. It's too samey. Another skipper.


11. Hummingbird Heartbeat

Sticking to the same classic Katy music as heard in 'Teenage Dream' and 'The One That Got Away', she uses lyrics about love that sounds like the before mentioned songs. I've not got anything to say about this; It's just OK - I don't skip it, but it's not memorable.


12. Not Like The Movies

This track details how she accepted her ex' marriage proposal, even though she had doubts right from the start; After all it didn't feel the way the movies depict it.

Katy's vocals aren't really suited to ballad type tracks, but the strong lyrical content, paired with the pared down piano driven music make this a standout track.

Pure Pop Music Fun

Katy Perry is so fun! This cd makes me want to bounce around, get a little naughty, be a little rowdy! Pop Music--take me away!

One of Eminem's best albums. A CD you need to BUY NOT DOWNLOAD.

This is a CD that needs to be bought. Any Eminem fan will need to add this to their collection. Every song on the album is worth listening to. There are no bad tracks. Every song says something (and as usual Eminem talks about a range of things- from his addictions to Proof's death to Hip Hop today). Although there are some songs that are just great like "Space Bound", "Almost Famous", or "No Love" feat Lil Wayne (and also the singles "Not Afraid", "Love The Way You Lie" and "Won't back down"), all of the songs are something to beat your head to, all of them you have to listen closely to or you'll miss something. His lyrics are on point and as usual he provides the lyrics in the CD booklet. This is a CD to listen over and over.

Em is back!

Eminem is definitely back on top. "Recovery" is both hard hitting and catchy. Every song is good. This is his best album since "The Marshall Mathers LP".

White Trash Party

Great songs, almost makes up for his last CD. His last CD had some bonus tracks but they were not that good. WTP superb, the song with Pink, not that good. But Not Afraid is one of his best songs of all time, which says a lot.

Too bad his politics are still messed up. Obama is a disaster, in over his head, a socialist. Eminem, are you willing to give up 55% to this man? After all, he wants it. You will not get it back.

The final song is amazing as well. This is Eminem at his lyrical best.

Love the Way you Lie is also part of his Cannon.

Better Than His Relapse CD

Well, I Bought This CD For My Boyfriend Who Is A HUGE Eminem Fan So It'll Take And Love Anything From Him. Personally, I Think The CD Is Better Than His Relapse Album. This CD Has More 'Sad' Songs or Should I Say Not So Angry Songs, Either Way It Was Worth Buying.

Not His Best But I Will Take It

Okay so lets be honest. Will Eminem ever make an album that tops the Marshall Mathers LP or Slim Shady? Probally not. But if he feels like making some solid albums I am happy with it.

Sure this album isn't going to be remembered as one of the best of all time but it is good and he is working his way back up. I am excited to see what happens next.

4 / 5 stars

Gershwin would be a Beach Boy

I really think George Gershwin would have been chuffed to hear this recording. In many ways the music of Gershwin and Wilson have similar sounds and themes. Brian Wilson's renditions of traditional Gershwin songs is true, but with a Wilson edge which makes the song his own. I love listening to this CD. The Gershwin's wrote a lot of wonderful music, so maybe Brian Wilson will record some more, and while he's at it, Cole Porter. Irving Berlin, Harold Arlen and Co were pretty fantasic too.

Yet again Brian makes magic

Another great album by Brian Wilson, Brian I love all your work from your earliest Beach Boys stuff to all your solo work. I have your entire catalog. Your music brings me so much joy. I listen to something of yours every single day. Your music has so much emotion that it brings the world hope. Thank you Brian Wilson for all your wonderful Music. This new album is great!!!

Reviewing a genius or two

How do you review a genius, much less two? The simple answer is...you don't. In the musical arena, you just sit back, listen and enjoy. Of course there will be the professional critics who can't resist mentioning that some 45 years later, Brian's voice isn't what it used to be.(Gee, what a revelation!!)There will be those who will say that this isn't the Brian Wilson that they know and love. Finally, there will be the unspoken majority who just marvel that at age 68, Brian Wilson continues to prove why he is one of the major musical geniuses of the 20th century. Brian, just keep singing. Your music speaks for itself.

A Travesty

I love Brian and I love Gershwin but I hate this album. The arrangements are cheesy and very derivative of earlier beach boys/brian wilson solo albums and brian's doesn't have--and never had--the vocal skills to sing these songs with the nuance they deserve. Really painful listening to this. For some delightful interpretations of the Gershwin canon, check out "Naughty Baby: Maureen McGovern Sings Gershwin."

Different

Originally I was wondering if Brian isn't hitting a dry spell. After all, when it was announced that Brian had been signed to Disney records and that neither of the 2 planned releases would be albums of new, original songs I was a bit apprehensive. Covering other people's songs is something artists do when the're washed up, just after their Xmas album. Being a lifetime fan, starting when I saw the concert in Sacramento that became the Beach Boys Concert album, I should have known better. Brian has never done the expected & this recording is no exception. Plain & simple, it's great. The only reason I gave it 4 instead of 5 is because I just don't like They Can't Take That Away From Me, not that it's Brian's fault - I just don't like that song by anybody. The rest is stunning, especially It Ain't Necessarily So. While he doesn't sing like he did in his 20s, over the last several years his voice has improved quite a bit both is recording & on stage & his air of weary optimism in his delivery certainly fits these songs to a T. Of course I'll buy the album of Disney classics when it comes out because even the worst he could do is better than most people's best. My only hope is that he has at least another great album of new songs in store for us up the road.

Mellencamp's best in a long time

John Mellencamp has found a new voice with this CD. Recorded in some classic rooms with T-Bone Burnett producing, this is a real gem. If you are looking for Hurts So Good and other teen rockers, pass this by. If you are looking for smart and mature songs, delivered by a gritty voiced and aging singer backed by a top flight small band.... this is for you. There are some sad songs here (and many touches of hope, irony, and humor) and they are sung with a authenticity and strength that is marvelous. All in all, it is a great collection of songs.

How old have we become?

OK let's start out with the fact that I've been a huge huge Mellencamp fan since American Fool. Now I understand that the artist likes to follow his muse at a certain point in his career and I'm very happy that John is able to do so. The amount of great great music that he's given all of us over the years makes me feel he truly deserves the right to do what ever he wants now. The thing is though as a fan do I have to like this? No! There's the fundamental right that I have as a true fan of the man. Listening to this cd makes me feel like I'm listening to something that maybe I'll enjoy when I'm in my 70's and have one foot in the grave. When I put on John Mellencamp music I want my hips to shake in uncontrollable joy even when the songs are full of social or political messages. That's always been John's special gift. To take songs of unequivocal sadness and remorse and put an upbeat melody to hold you from the pit,(IE) Paper In Fire, Case 795 (The Family), The Full Catastrophe, County Fair and so many more. I'm sure that John's heart scare has put him more in touch with his own mortality as evidenced by his continuing exploration of darker themes than is even normal for him but I'm still looking for more of an affirmation of life from an artist who by all accounts has had a very good one. I guess that I'll have to hold out hope that his muse can one day find him home? And one last thing that I'd like to add. When John said that he no longer is going to write pop songs. Why? I always thought it was more about getting your message out to as many people who want to hear it as possible? Will No Better Than This fulfill that ambition? I don't think so.

Disappointed

I really love John Mellancamp, but didn't like a single song on this album. His voice sounds old and scratchy and it made me sad. Yes, I know people get older, but I didn't care for the songs either. Guess I'm just not hip enough for it, but they were all sort of depressing.

Excellent album

This is my favorite John Mellencamp album. The lyrics have wonderful depth of thought. The recording itself is very nice, and definately has a warm sound. I bought the CD and I will buy a vinyl copy when available so I can enjoy an all analog sound. I purchased it as I was searching albums produced by T-Bone Burnett as he seems to produce so many albums that are my favorites, such as Elvis Costello, Gillian Welch, Bodeans, Counting Crows, Jakob Dylan, Willie Nelson, the list goes on. I highly recommend checking out T-Bone's other productions.

Mellencamp's best

I had heard some great buzz about this record and it was justified. This just may be John Mellencamp's finest record. The songs sound as if they were written one hundred years ago - they sound timeless. The lyrics are beautiful and the performances amazing.

Love this album. Worth the wait!

I finally had a chance to listen to this entire album in my car while on a long drive home. Before I put it on I was in a hurry to get the drive over with. When it started playing, that changed! Thank you, Heart, for a thoughtful, wonderful album and congratulations to all on a project done very well! This album will be getting a lot of play!

Calm and Clean

This album was a surprise to me. Track 10 gives a mountain feel... and the others are just as good. There a few low points but... the more you listen to the songs... the better they get. Very pleased... I have listened to this album since I purchased it.

Good music, but ridiculously short

I was really looking forward to this after seeing Heart play a fantastic show last week,which included a few of the new songs. I like the CD, but it is very short. It's only 37 minutes long, and two of the songs are on the WTF +4 EP they released earlier this spring, so there's only 30 minutes of new music. Apparently there's a version of the CD exclusively at Target that has two extra songs, but I preordered it from Amazon since Heart had a big link on their website for that. Who would've thought that there would be a "better" version of the CD available somewhere else.

Anyway, I would give it 4 stars based on the quality of the music, but it loses a star for being so short.

For too contrived and careful for me.

Listen, I am not gonna give the most intellectual review, nor am I going to break it down song by song - rather I am going to share my distinct impressions and tell you what this makes me think of.

I was a huge Heart fan back in their early days!
Barracuda, Magic Man, Crazy On You, etc, (even Dog and Butterfly) were ANTHEMS for me when I was a teenager.
I used to put 'em on the turntable and crank em up LOUD,'till the speakers started to rattle.


Heart had a way of pulverizing you.

There was so much balls-out energy. They were sophisticated, sexy, and RAW!!!
They didn't worry about the production, because what was important was knocking you out with their Ass Kicking ROCK!!
Back then, we didn't care how perfect or synchronized it was, as long as it KICKED ASS!!!

That said, this record has many of the overtones of the classic Heart of the day.
It wants to be ballsy and in-your-face, but it just doesn't quite get there. Close, but it just doesn't go far enough. I want it all! And I want it NOW. Maybe I expected too much. Maybe I am one of those folks who sets the bar unrealistically high.
If so, then that must make me a bad listener, 'cause I certainly do not agree with most of these reviews. Ann, Nancy, come on, your voices tell me you still have it somewhere, you know you still have that edge way down under all the years of playing, right?

Well, why can't you pull it out and stick it in our faces???!!!
We want you to BLOW OUR FACES OFF --- this record does not do that.

I wanted so bad to love this record, really, but it just seems too contrived, too controlled. I realize that the Wilson sisters are OLD now (Nancy still is smoking hot!), and I realize that there is something to be said about aging... but it is just too careful, too smooth. It is almost like they over-produced it, then backed it off, as not to come off over-produced. The vocals still have the sound they tore my heart out with 30+ years ago, but the VIGOR, the Vitality is just not there. I wanted to hear the power chords, (((the UMPH))), but it doesn't get there.
I guess you can't really go back, even if you try.

I gave up on Heart in the middle 80's when they started to bubblegum out, and have resented all of the music they made in the 90's. Hated it... yet all along, I remained open to a resurrection.
I hoped they could have gone all the way and NAILED IT with this one, but no, it just ain't there.

I know many of you will dis this review, so be it.
Really, I wanted to love it.
I have given it a bunch of plays.
Sorry to say it, but this is not the one.
Move over girls, your days are obviously behind you, its a shame, really.

get into red velvet car

I was sceptical when I saw this in the new release catagory.I thought to myself hmmm wonder what Heart sounds like now.This album kept sinking into me every time I played it.Its heavy but not too and mellow at times but never sappy.Ann and Nancy have a winner on their hands with this one.Its hard to say which track I liked the best....its over tooo dang quick.Oh well that shows me its a good disc and not boring.Its Dreamboat Annie for the 2010...HURRAY!

Let down

Leading up to this album David Draiman described this new effort as showing "maturation". That in itself should have given all hard rock and metal loving fans a cold shiver. I think back to previous works from other bands that had been described as "mature" or "maturation" or showing "maturity" and it instantly brought to mind Cinderella's bomb and eventual dollar bin album "Heartbreak Station" or Medadeth's "Risk" or how Metallica described their works with "Load" and "Reload."

For metal fans any word refering to "maturation" when discussing an upcoming release should be fair warning to run the other way. Case in point, Asylum.

Other reviewers have it right when they compare this album to Believe. And yes, while women around the world loved Believe and thought "wow, how pretty is Draimen's voice" the rest us wondered what happened to our growling, monster of a lead singer. I find myself wondering the exact same thing with Asylum. Maturation might work with say complex bands like Dream Theater or Nightwish, but with bands like Disturbed, it only serves to weaken the sound and frustrate the listner.

So as I do with any hard rock or metal album I put it on my workout scale. If songs are pounding, heavy and powerful enough to make me additionally agressive during my workouts they get a thumbs up. If they are slow, dull or just lacking aggression I give them a thumbs down. From this album so far, out of 6 spins, Asylum is the only song I will add to my mp3 mix. Perhaps Warrior, I am not quite sure. The rest, well, yawn.

Remnants is nice if you don't mind instrumentals, but I am really not much of a fan. Perhaps this is my flaw.

Asylum is by far the best song on the album and the closest thing to Distrubed as we knew them.

The Infection- it starts of as if its going to be heavy, but then that cursed sing song voice comes from Draiman and instantly I am turned off.

Warrior- perhaps the second best song on this album, gives us that Draiman sound that we come to expect, but the music and the chorus are some what chaotic and confusing and it sort of loses its power.

Another Way to Die- Once you get past the slow and very dull start, this song picks up to sound more like the Disturbed I like, but I cannot get passed the global warming politics. Despite the flawed science, political messages are often a scourge to good music, as is the case here.

Never Again- Somewhat heavy, but this time I am listening to a Holocaust message. I appreciate the attempt and while hope that this part of history is never lost, if I want history lessons, well, I have plenty of books.

The Animal- This is a heavy song, but nothing unique and it strikes me more as a back of the album song.

Crucified- Sing song voice and boring.

Serpentine- not a bad song and I am willing to listen, but put this on Indestructable and I would have hit the skip button.

My Child- As I understand it, this was about a miscarriage of a child of Dramien. Being a parent, I cannot even imagine the pain. Personally, if they were ever to do a true ballad, this should have been it. But it wasn't and it just didn't seem to fit.

The last few songs don't do anything to revive the album and are not unique.

If I were to rate this album among other Disturbed releases, I'd say it fits with Believe as my two least favorite releases. I love Distrubed and it pains me, but this was a waste of my money. Better to buy a couple MP3 songs from Amazon.

Lack of inspiration, both in the album and my ability to come up with a review title

Ok first off if you love everything the band has ever done, especially the last album, just go ahead and get this one. You'll like it. Second if by looking at my rating for the album you know you're going to disagree and you can't accept someone else having a different "opinion" from you, then do us both a favor and stop reading now. You won't change my mind, and I wouldn't dream of changing your's. Now if you have honest suggestions, check out this song again, listen to the slolo in this one, the drum beat in this song, whatever, I'll take any of those, and I promise I'll give your suggestions a try.

Ok now where to start. Been a Disturbed fan since Sickness. Does that make me more qualified to say what the band should do, than someone who just got into them five years ago? Nope. Just a point of reference I guess, and others seem to like doing that.

I guess I'll get right into it, and just say, my biggest complaint about this album, and the last one, is that the songs just aren't that good, or at least to me anyways. Say what you will about lack of diversity or whatever, but if the songs are good I don't think there'd be as many complaints. Now this isn't to say there are any bad songs on here. I can't think of a bad song the band has put out, and I have all their albums, and any other songs I could find, except their priest and faith no more covers. Already like the originals, so didn't really care to hear them. There just aren't really any standout tracks. There are some pretty good ones.

Second the sound of this album is exactly like the previous two. I'm not talking about the style, although... I mean the actual sound of the album. Is it too much to ask them to change their sound album to album? They did a good enough job from sickness to Believe to Ten thousand fists of staying true to their core sound, but varying it up enough, but on this one and the last, just sound like b sides for TTF. I like being able to make a mix playlist of a band, and be able to tell what songs are from different albums. With the latter albums that just isn't possible. Others have mentioned already how there isn't much growth musically. Course that's a tough thing for a band. How do you stay true to your sound, and please the old fans, but still allow for some growth, to keep from becoming stagnant? I'm not in a band, so I can't answer that one. But I at least recognize that it is a challenge. Some might even ask what I'd like them to do differently and my answer would be something like, surprise me, or wow me. I don't want to predict what a band is going to do on each new album. I heard a quote a long time ago, can't remember who said it, but it went something like,"as a musician if I make the same album twice I've failed." If Disturbed is held to that standard they've failed twice now. For me they don't even necessarily have to completely change to vary things up a bit. I was surprised at how well the vocals were on the u2 cover. It showed David can branch out and try something new vocally. I'm not saying rip of U2, but he does have more vocal potential than he shows, melodywise. His voice itself is fine, I just would like to hear some new melodies.

Another problem, which goes along with the song quality, is that I get bored after a few songs. I don't know if that's the lack of variety in styles or the song quality, or both, but I get bored after five songs.

Still the production is solid. The playing is fine. There isn't a bad song, just a bunch of ok and a couple pretty good songs. Lyrically the album is pretty good, from what I've heard. I haven't read the lyrics, but what I've heard has been pretty good. They still have the guitar solos, and I am happy about that. I get annoyed with music that came out from the mid 90's to 04 or so, because they lack solos, which isn't to say there aren't plenty of good songs and albums with and without solos, I just always am a sucker for a good solo.

As far as the songs go, I won't comment on every one, I like the intro to Asylum, have a program which allowed me to combine the two tracks, even though I am a bit disappointed in the actual song, it is growing on me some though. I really like the verses to The infection, the chorus isn't bad either, but it does keep this song from being a great one. Still it's good enough with the verses to make it my favorite song on here so far. The intro to Another way to die, shows they could do a good slower song, and it wouldn't sound poppy or like them selling out, unfortunately the song goes into typical Disturbed, instead of expanding off of what they started. Granted the actual song itself is pretty good, and another of my favorites on here, so I'd want them to keep that oo. I like the drum beat that transitions from the verse to the chorus. Warrior is another favorite of mine, although I have nothing really to say other than I like it.

So overall it's a decent album. I'd give it 5 out of 10, it'll please most fans. I just wish they'd make some songs that do for me what Voces, Prayer, Ten thousand fists, and others did for me.

Good.... but could be better.

I first heard some of Disturbed's stuff on the radio, and I LOVED it. I had big expectations for their latest album, but I wasn't as impressed as I could have been. It's not that I didn't like any of the music on this album. Trust me, it's good. But it didn't meet my expectations. I give this album 4/5 because it's a great addition to Disturbed, but it didn't quite catch me the way Indestructible did.

great album

The music is still dark maybe even darker if your the type of person that really listens to the lyrics. Some complain that the album is not as hard but it still has a great balance. Disturbed did a great job changing up a little on the music without giving up there own style. The bonus U2 song was better than i thought (i hate U2 so.) I like the way he sings. You should definetly get the album.

After 10 Years, still going strong.

It is hard to believe that it has been 10 years since Disturbed hit the music scene. They came in with such a force with their first single Stupefy. Since then, with touring and four more additional albums this band is still just as strong. Very few bands in general are able to stand the test of time after the dreaded `sophomore' release. Disturbed almost fell into the cracks with theirs. Yet, with a much needed period of improvement and reflection, Draiman's quartet resurfaced and never looked back.

Asylum once again is another step forward for Disturbed. While the sound hasn't changed much there is a great deal of improvements. This time it is not from a musical perspective, but a song writing perspective. While the sound of the music is still hard hitting and dark a good portion of the songs send extremely positive messages, or motivational words for personal improvement. A perfect example would be the new single `Another Way To Die.' This song tells us about the weaknesses of human nature and how it is destroying the planet and we still have the chance to save it. `My Child' is the story of a how a man must make important choices when he takes up the hat of fatherhood and probably my personal favorite would be the song `Never Again'. David Draimen is a true heavy metal man when he puts his own personal experiences in to his writing. Despite controversy or negative feedback, he is willing to go out there and say that he is the surviving future of a generation of Jewish men and women who died in the Holocaust. He has always dedicated his career to his grandfather who is a survivor and made a promise to keep the values and traditions of Judaism close to his heart when fame and fortune came his way. It's things like these that make Disturbed one of the most admirable bands in music today. On another note the hidden track on this album is something very bold and Disturbed took a huge risk putting it together. While I prefer the original version of the song they chose, I am pretty impressed with the new direction and sound they gave it.

Asylum doesn't really have the heavy hitting fun factor that the past two albums had, but it is still a good listen and well worthy of your time.

Exactly what I wanted!

I was so pleased to receive this item at warp speed, and it's perfect! A+ Totally happy.

Troubadour CD

Just what I expected from two great artists and DVD/CD combo was a special treat. Arrived in great condition and when expected.

Excellent value.

Well, I won't go into specifics since others have done that to the nth degree. I'll just add that I am very please with this DVD/CD set and highly recommend it to any Carole King and/or James Taylor fan.

Wonderful but...

This was an unforgettable concert. Each artist personable and in great voice solo and in their duets. Great support from the back-up band & vocalists. Overall a nice mix of his & her hits. Why 4 stars instead of 5? King's "Natural Woman" was a show stopper and "The Locomotion" was energizing and great fun. I wish these 2 numbers had been included.

Great CD

My husband and I went to the concert and after that I HAD to have the CD. Great songs and 2 great performers.

Does He Ever Disappoint?

In a word - 'No'. I am feeling Kem's newest CD as much as I felt the first and the second. I put the CD in, hit play and before I know it, I'm at the last track. Easy, feel good, deep, sweet, soft, perfect, delightful - this cd makes me smile, makes me think, lifts me up and never gets old. Kem, you have done it again, and I thank you...and hearing Jill Scott recite against your track, well that's just heaven...

Rudy Palma...2 posts?

How were u able and why did u post 2 critiques of a 4 star on Kem? I know you said some good things but this cd is clearly a 5 star when all is said and done! It perturbs me how the so called "Music Critic's" immediately after release post their long and detailed messes.

Well Done

The 5 years in between CD was well worth it. Kem has outdone himself.

Intimacy

O my goodness, If only someone could truly love this way. Kem make's "Intimancy" real and something to desire! I love it!!!!!!!

Wow! Best one yet!!!

The only complaint is that I wish it were longer. I keep playing this cd over and over. Kem has created music from deep down in his soul. Also his band is impressive as well. This cd belongs in any collection.

Best Yet

Something For The Rest Of Us is totally worth your time and money. Trust me. Honestly, this CD is GGD's best work yet. There is such honesty and emotion running throughout the record, as we've all come to want and expect from the Goo Goo Dolls. The CD starts out with a bang with the playfully sarcastic "Sweetest Lie", and ends with "Soldier", whose eery music and exceptional lyrics closes the CD perfectly. "Something For The Rest Of Us", the song, has a blues-like sound and a very interesting arrangement, and is pure brilliance. "Hey Ya" is a beautiful, powerful rock ballad, that you can't help but want to shout the song out as loud as you can. Robby Takac's songs on the record, "Now I Hear" and "Say You're Free" are not only two of his best work, but definitely highlights of this album. The music is fantastic, and his song writing is spot on. John Rzeznik's voice sounds beautiful and delicate in "NotBroken", another powerful song with a very touching message. Rzeznik's delivery in "Still Your Song" shows an unexpected vulnerability, and the lyrics are just heartbreakingly honest. Those are some of the stand-out tracks, but there isn't a poor song on the whole CD. Every song deserves to be listened to.

To anyone who is reading this: Buy this CD. I can't say enough how strong it is. Thank you, Goo Goo Dolls, you did it again, better than ever before.

And This Is Your Album

This album definitely feels like an "album for the fans." After spending years working on it, 'Something For The Rest Of Us' is finally out. And while it doesn't necessarily live up to my hopes of a perfect album, it does deliver the goods in usual Goo style.

I would rate 'Dizzy Up The Girl' and 'Gutterflower' above this album, and 'Let Love In' on par with it, although I think I enjoy 'Let Love In' more, as a personal preference. This album feels like a fusion of the previous two albums - it doesn't rock as hard as 'Gutterflower,' but it's got more edge than 'Let Love In'. This album reminds me a lot of Rob Thomas' 'Cradlesong,' a fantastic album I recommend.

The best songs after a few listens are:
Soldier
Notbroken
Still Your Song

The main problem with this album is that a lot of the songs are not very memorable. Besides the simple chorus of 'Hey Ya' and a couple other songs, it's hard to recall individual songs' melodies. 'Sweetest Lie' is just not very interesting compared to past album openers 'Stay With You' and 'Big Machine.' As usual, I've already deleted Robby's songs from my iTunes library because I just don't like his voice. I don't know why he still is allowed to interrupt the flow of Goo's albums.

Anyway, I enjoy this album enough to continue to listen to it, so I guess it gets 3 1/2 stars, default to 4.

A Band That Just Keeps Getting Better and Better

From its opening track, Something for the Rest of Us proves that the Goo Goo Dolls still have what it takes to make incredible music. Its emotional power is reminiscent of another Goo Goo Dolls album I listen to constantly, Gutterflower. These are grownup songs written by people who've experienced real life, real regret, and real love.

"Sweetest Lie" and "Still Your Song" both have a quick tempo that contrasts perfectly with their serious lyrics about toxic relationships. "As I Am," "Hey Ya," and "Something for the Rest of Us" are all beautiful ballads. Somehow John Rzeznik knows how to write the words every woman wants to hear from a man. My favorite on the album, though, is "One Night." If love and desire had a soundtrack, this song would be it. And "Now I Hear" is the best song Robby Takac has written since "Burnin' Up" off of A Boy Named Goo, original and memorable.

One thing I have always admired about this band is the way their music grows with them. These aren't empty pop songs. These are feelings you wish you could find a way to put into words yourself. Luckily John and Robby have done that for you and done it flawlessly.

Sadly, this is really bad.

To start out let me say that I was a HUGE goo goo dolls fan. I first got into them back when Iris was a hit back in the 90's. I looked at their catalog and must say that I absolutely love superstar car wash, a boy named goo, dizzy up the girl, and gutterflower. I think those albums are just wonderful and still listen to them quite often. However everything before that was too raw for my taste, for those of you that don't know they were a grunge/punk band when they started and that style was never something I liked much so their first couple of albums don't quite work for me. Now I haven't mentioned let love in their album released in 2006 which was a disappointment to say the least. Their were a couple of songs on that album that are fun and good to listen too. However the rest of the songs were fairly lifeless or didn't seem to have much of a point, basically they were blah and disappointing. Now this album something for the rest of us is worse than let love in and I will tell you why. There is not one enjoyable song on the album. It feels overproduced most of the time, with far too many ambient sounds and effects that add nothing to the song other than to fill out the ambient background which really in my mind detracts from the music itself. It is like trying to listen to the song while a bunch of random stuff hums in the background. Every song is some kind of vague collection of lyrics about love or something, in general the lyrics have very little meaning or resonance. To say that this album underperformed for me would be a lie. My expectations were low for this release but even so this album managed to drop below them quite far. For me its no longer fun to listen to the goo goo dolls and even though I bought this album to support them I think this is a very disappointing release and if you are on the fence about getting thing I urge you to please just let this one go. Hope that the next one is better and until then enjoy the great albums they have already made that I have mentioned above.

they have done it again

Well the Goos have done it again. It is amazing that they have been together for so long and have not gotten dull or mediocre. My favorite thing about them is that each album has a distinct feel and sound to it. These days, many artists put out albums that all sound pretty much the same (ie. 3 Door Down); however, the Goo Goo Dolls are able to make albums with completely different feels to them. If someone hears a Goo Goo Dolls song (assuming at least the knowledge of their album names) they can pinpoint which cd it came from based on the feel of the song. Finally, the Goos really stand out due to Rzeznik's great song writing ability. While I personally believe that Dizzy Up The Girl is the zenith of this ability, every album has great, non-cliched lyrics (except maybe a little in Let Love In).

Something For The Rest Of Us is no exception to these traits that make the Goos so great. Admittedly, on first listen, the songs all seemed to blend a little and none really stood out immediately (except for Soldier and Nothing Is Real). However, that is quite normal when it comes to a new album; upon a second listen, many of the songs stand out in their own unique ways. Sweetest Lie is a great opening song that really catches the attention of the listener and reminds one of the Goos rockier roots. Next, As I Am is composed of some good lyrics and is pretty catchy, and reminds me somewhat of Iris. Home is a pretty solid song and great pick for the first single. Notbroken is most likely their next single-it is a very well written and catchy song stemming from a letter from a disabled soldier. One Night is alright, not my favorite but not awful. Next, Nothing Is Real is a nice change of pace, with almost no musical introduction, and focused more on lyrics and vocals than music. Now I Hear, the first Robby song, is more than I expected from Robby-both his songs, this one and Say You're Free are at least bearable to listen to and subsequently the shortest songs on the album (but it seems he has gotten a little better vocally in this album). Next, Still Your Song is ok, some will like it more than others-my major problem with it is that I generally think songs that tell about how the song was written for someone are kind of cheesy, but the Goos somewhat pull it off. The title song, Something For The Rest Of Us, is a slow song with pretty well written lyrics and I have found it stuck in my head frequently. Hey Ya is one of the best songs lyrically and it is also pretty catchy, especially during the bridge; however, the chorus could use a little work. Finally, we come to what I believe to be the best song on the album, Soldier-It not only has a unique sound, but it has beautiful lyrics, presentation, and overall feel. The first time I heard it my exact thought was "Wow, this song really encapsulates the feel of the entire album." I believe Soldier is comparable to Dizzy Up The Girl's Acoustic #3, in the sense that it is a beautiful, well-written song that will not be fully appreciated by anyone but fans who buy and listen to the album (unless it becomes a single, which is a distinct possibility).

Overall, Something For The Rest Of Us is a better album than Let Love In, which shows the Goos capability to still produce very good, relevant music. I suggest picking up this album if you liked any other Goos album-it is very well done.

Just ok

Before people jump all over me, I'm a BIG David Gray fan. I have all the albums and have seen him live. 'Even have a DVD and some live shows. He is awesome! One of the best songwriters around today.

However, this album really just hasn't been a hit with me. I like the fact that it's more toned down and intimate than Draw the Line; but the lyrics, which is what I really appreciate from Gray, read like an inside story that doesn't make sense to anyone but the teller.

The melodies aren't as great. My one favorite song, unfortunately, is "Indeed I Will." And I say "unfortunately" because I already received the song months ago as a free promo off of David's website.

Overall, It feels like this album was rushed. It could have been polished with some more time between it and Draw the Line. Hey, it's still better than the majority of music out there today, but I feel fairly disappointed in it. Sorry DG.

He's lost his touch

This album is one of the most disappointing albums I've listened to over the past few years. If you are a fan of David's pre White Ladder days, then there's a good chance you'll enjoy this one. Unfortunately I'm not a fan of his early work and this album contains very little in the way of unique, beautiful songs.

Finally: A Worthy Successor to 'Lost Songs'

Ever since I discovered 'Lost Songs' years ago, I've been waiting for David Gray to make another album in the same vein: quiet, stripped down, more organic, a bit raw and unfussy, brave and effortlessly melodic. Something about that album just seems perfectly formed, like it's existed forever. Don't get me wrong: I didn't want 'Lost Songs 2' -- I wanted the same authenticity, honesty and delicacy, something more consistent with his folk beginnings and more spontaneous. This is definitely it, and it blows 'Draw the Line' out of the water (which sounded too deliberate and laboured to me, like he was trying to hit one out of the park, but failed). To me, this album is where David Gray truly shines: where he forgets about the level of commercial appeal and chart hits, where he stops pandering to the surprised masses who made 'White Ladder' such a massive hit. Funnily enough, the album appears to have commercial legs, and managed a Top 10 debut. That's gratifying to see given the challenging nature of 'Foundling.' It definitely takes a few listens to open up and reward the listener, but when it does it really comes to life. What seems sleepy and listless emerges as subtle and nuanced, but no less engaging than his most commercial work. You have to listen a little harder for the hooks, but they are there in spades once they reveal themselves. Ultimately, this is the kind of album that will take a bit of discovery, but that will be the key to its longevity.

Thought provoking and beautiful

This is music for grown ups. If you just want catchy pop tunes, look elsewhere. The songs have a depth seldom found anymore. Please read David's thoughts on each track in "Product Description" as they give a good idea of what the CD is about. The second CD songs are wonderful as well. The more I listen to the two CDs, the more I hear in them and the more they continue to grow for me. Thank you, DG, for another classic!

Most intimate in a decade

As an avid fan, even I was getting a little tired of cheesy love songs with cheeky lyrics that have come since White Ladder. Foundling abandons all that, and comes at you with inward, intimate, and beautiful songs.

I don't understand other reviews and critics that compare this with previous albums, and say it's "nothing new". The closest album to this in Gray's portfolio is Lost Songs which was written nearly twenty years ago! This album doesn't have cheesy-pop songs like Stella the Artist or Be Mine from recent records. Some of the songs on Foundling, such as We Could Fall in Love Tonight or Old Father Time are in a different league; a lot more dynamic and thoughtful.

A lot of times musicians have a hard time staying personal an intimate as they get older. I think of early records of Coldplay, Radiohead, and the Counting Crows that have the passion and restlessness of youth. When you listen to later offerings they become an abstraction of themselves, almost a comical, heavily marketed version of what the passion in their early work. Think of Coldplay's Shiver vs. Fix You or the Counting Crows Mr. Jones vs. American Girls. . . It's very difficult to stay relevant after your first few records.

Gray, at 42 years old, somehow with Foundling found that youthful, restless, passionate voice again. The first time I heard this record I admit I was incredibly surprised at the lyrics and themes of the music; it blew me away. This is the kind of offering of a singer/songwriter bursting onto the scene.

This album is incredible, and comes recommended to anybody who enjoys deeply personal, moving music. This is the kind of album to play on a Fall day over a cup of tea while rain falls gently.

Great album, nice and simple songs and arrangements

Very nice arrangements of catchy melodies and meaningful lyrics. This is something to play in the background or listen to intently.
The songs tend to build up and have a great way of coming to a conclusion.

stunning, heartfelt, visceral...

Just buy it.

My shortest review ever. And by saying less, I am saying more.

Just. Buy. It.

The Best Album in Years

This is a TOP RATED ALBUM; every single song is very good, you can hear the whole CD again and again... It was about time for something like this...

Good stuff!

I love folk music and this album is great! I can listen all the way through then go back and replay a few of my favorites without getting bored! If you like folk, take a listen... you won't be disappointed!

Best New Thing

Mumford & Sons 'Sigh No More' is one of the most incredible albums I've heard in a long time. From the moment I came across them (thanks to last.fm) I knew I had to have this album. And I was not disappointed in any way. Every song on this album is out of this world. The lyrics are awesome, the instruments are wonderful, and the sound of the lead singers voice is lovely. I honestly can't get enough of these guys. Their sound is different than most of that mainstream junk that plays on the radio these days, so refreshing. You honestly can't go wrong in purchasing this complete album; every song is worth it and I mean $5 - you can't beat that. I look forward to hearing so much more from them soon.

Comfort music for the masses

I love listening to this CD. It is full of comfort music. The whole CD oozes "I am okay, you're okay" and "neither of us is perfect, let's see what we can do to get through the day"-music. I have taken it on several road trips now and it makes me relax and not sweat the small stuff. Neither music, voices or lyrics are not particularly groundbreaking, but as a package is it just solid. And as a result you can listen to it over and over again. It is like a warm blanket, or listening to a good friend. More matter of fact, the CD is modern country, from slow songs like American Honey to strong up tempo arrangements like Hello World. Charles Kelley's voice complements the Lady A's music and Hillary Scott add significant touches to the sound. I look forward to spend more and more hours with them on the road.

Great listening music

Lady A. The musis is great it's easy listening and great to hear while I'm at work. I recommend this cd to anyone who enjoys good listening music.

Great for my cd collection

I'm surprised considering my regular musical tastes to be a Lady Antebellum fan but this is a great album for my cd collection. I will say their debut impressed me a lot more than this one but still it's a great cd. Five golden stars.

soooo good!

This album is absolutely impeccable! It contains the perfect mix of depressing, slow, tragic, celebratory and upbeat songs that make each listening sound balanced and complete!! I had my doubts that all of these songs could really be worth my money but upon listening to the album multiple times, those doubts drifted away with immense speed! This album is truly a great buy for anyone fond of love songs, country music or happiness in general! I hope that you buy this and I am postive you will not be left with any regrets at all!

In the Spirit of Abba and the Mommas & the Papas

This is a wonderful album. Although, this group is new, they have a lot of potential of going a long way. Their music is very pleasing and has a way of getting into your blood. In other words, they grow on you. God be with you.

Love This Album

As opposed to some of the critics on this site, I loved this album... but was disappointed with their last album. Not that the songs on the last album were all that bad, but I knew it wasn't going to be air playable. Like it or not if you can't get a song on the radio the album won't sell. If the the album doesn't sell, the artist disappears as well. This group is too good to fade into the sunset. The new album is a better balance of themes and sound that will hopefully appease the diehard fan and new listener. Sure... "Shut up Train" and "Lean into It" are among my favorites... but the mainstream sound of "Little White Church" and "The Reason Why" will keep this train rolling for some time.

Missed the boat for me

First, I have to say that I absolutely loved "A Place to Land". It's one of my favorite albums of the past 5 years. Unfortunately, for me, "The Reason Why" does not even get close to the level that Little Big Town reached on their previous album. For me, none of the songs have the poignancy that they exhibited on earlier albums. The best of the lot in my opinion are "You Can't Have Everything" (which really spotlights the harmonies that I love so much), "All Over Again", and "Life Rolls On". While it's not a bad album by any stretch, their previous work has set the bar very high for me and this album just didn't get there.

So disappointed

I have just listened to the new Little Big Town album all the way through and have to say I am sorely disappointed.
I have "The Road to Here" and "A Place to Land" and have always loved them. LBT have always been a cut above other country groups with their wonderful four part harmonies and sly sense of humour (as in "Welcome to the Family" and "Wounded").
It saddens me to say that this album sounds nothing like the Little Big Town I know. Gone are the catchy up-beat tunes that endeared me to them the first time round. Gone are the heart breaking melodies. People seem to be talking about "Little White Church" with affection but compared other previous songs it is pretty dull.
In fact the whole album is just that - dull. It sounds like the most average plodding middle of the road country album you've ever heard. There seems to be no passion or enthusiasm, they sound quite bored when performing to be honest. There is no zing or life like there used to be. Even the slower more thoughtful songs lack that heartfelt quality that made previous tracks like "Live with Lonesome" so poignant.
I don't what has happened - maybe it's the old story of studio execs coming in and trying to make them more commercial and in doing so have stripped away all the individuality that made them so great in the first place. I'm afraid my copy is going straight on ebay. I was so looking forward to this album!

The Secret to Nashville Chicken & Dumplings

As anyone whos been following the music of Little Big Town since 1998 should know, this is one of those rare country bands whose lineup has never changed, and who incorporate sounds of old-time Americana in their work to such an extent that you could easily mistake their recordings for something circa 1986. Of course, this may or may not be a good thing depending upon their target audience, but things have definitely improved on "The Reason Why", which is on their fourth label (hopefully they stick to this one for a while), and noticeably their most slickly produced work to date.

Listen, theres a wide country audience out there that gives equal credit to the likes of George Strait, Brad Paisley & Miranda Lambert, and honestly, Little Big Town is neither better nor worse than those acts. What they do have in spades, perhaps even more than Rascal Flatts & Montgomery Gentry do, is some great harmonizing. Comprised of Karen Fairchild, Kimberly Schlapman, Jimi Westbrook, and Phillip Sweet, the equal amount of time given to each singer is commendable, considering that on bands such as Lady Antebellum, or even The Zac Brown Band, there is always one vocalist who hogs the limelight. Not so on this recording.

Lead single "Little White Church" is ironically the weakest cut here. I was supposed to review this album for a country digest that commissioned it, and spent about two days with my promo copy, post which it became clear that this was a keeper. Not in the sense that "Revolution" by Lambert or even "Whoevers in New England" by Reba McEntire were keepers, but the harmonizing here is excellent, and brought to mind The Roches, in places.

For a fourth album, this hits all the right notes. On a scale of modern country music and its effect on the general public, its ironic that music that I do not consider country by any means ("Fearless" by Taylor Swift, for instance), should outsell more rootsy records such as these. While Little Big Town would need more than just this album to hit the big time, this is a great pit stop on their road to further stardom. Sadly, with the likes of Jaron & The Long Road, or even Chuck Wicks clogging up country radio, its hard to imagine that true artistry such as the one displayed on the title track here would get the recognition it so rightly deserves.

Four Stars. A worthy addition to the LBT catalog.

Great harmonies, great album!!

After I first heard "Boondocks" by Little Big Town I was hooked. Loved the "Road To Here" album, but didn't feel that it's follow up, "A Place To Land" lived up to "Road". Well now with "The Reason Why" LBT has released what could be their best album yet. The album has a great set of songs with nothing that would be considered "filler". I love the whole album, but the stand out tracks are: "The Reason Why" (this will stick in your head for days), "Runaway Train", "Shut Up Train" (love the images conveyed in this track), "Little White Church" (great video and this has got to be a favorite in concert), "You Can't Have Anything" (hard core country, sounds a LOT like a Pam Tillis outtake), "All The Way Down" (another one that must be great in concert), "Lean Into It" (pristine harmony on this one). These for me are the best of the best, the whole album is very strong. This is one of those albums, that you will find yourself starting all over again once it ends. I played it three times back to back the other day!! Little Big Town is one the best country groups out there right now, and this album is "The Reason Why"!! (bad pun I know, but it works!)

These feelings won't go away.

I hand it to Sheryl Crow for going retro without completely covering old soul classics. Most artists would just do an entire album of cover songs from the era, but Sheryl Crow came up with nine originals and three cover songs, two of which were not even from the era she is emulating here. Kudos for being original.

That being said, Sheryl Crow is notorious for having a wildly uneven career. With the exception of her first two albums, her track record has been every other album is great. "100 Miles From Memphis" is one of those down albums, like "The Globe Sessions" or "Wildflower". Good, but not great, and nothing extremely memorable or catchy here. Like those other two albums, all of Crow's eccentricities as a songwriter are washed clean here, too. What made Sheryl Crow's best albums her best was the quirky contemporary musical and lyric angles she would take. None of that is here on "100 Miles From Memphis".

Of the nine original songs Crow apes Sly and the Family Stone with "Our Love Is Fading" and "Peaceful Feeling". Both tracks being just serviceable. Going for Jimmy Cliff, Crow gives "Eye To Eye" a fairly memorable 'na na, na na na na na' replete with reggae beat and Keith Richards of the Rolling Stones on guitar. One of the better tracks here. Crow really hits pay dirt with "Summer Day"--this is the sound she was going for and it is completely realized here with its Al Green-like vibe. This is the best track here. "Long Road Home" and "Say What You Want To" are also contenders as tracks that hit their mark. On the more somber side, "Stop" captures that painful early 70's relationship ambiance well. The title track and "Roses And Moonlight" are perhaps the weakest of the original material, saved for last, of course. They are passable, but not memorable.

The three cover songs are interesting choices for Crow. What possessed her to cover Terence Trent D'Arby's 1987 hit "Sign Your Name"? With Justin Timberlake on backing vocals, no less. It's done Al Green style which actually worked. Crow's take on the song does not add something new, but rather repackages the song in a different era. I don't know whether Terence Trent D'Arby would think this is a great cover of his song. Elsewhere, an obscure song "Sideways", which sounded so familiar to me, but I could not place it. I had to look it up. Surprisingly, Citizen Cope released the track in 2002. I was not familiar with the band/singer. Sheryl Crow does a very good job here with Citizen Cope lending vocals. One of the best tracks here.

And of course, there's Michael. If you call yourself a true fan of Sheryl Crow, then you know she started out as a back up singer for Michael Jackson in the late 1980's. Her version of The Jackson 5's "I Want You Back" is almost identical to the original, which adds nothing new to the song. However, it is quite amazing how well Crow emulates Jackson's vocals, thus affirming why Crow is such a great singer.

Here's how "100 Miles From Memphis" compares to Crow's previous works:

1993 Tuesday Night Music Club: Four And A Half Stars
1996 Sheryl Crow: Five Stars
1998 The Globe Sessions: Four Stars
2002 C'mon C'mon: Five Stars
2005 Wildflower: Three And A Half Stars
2008 Detours: Five Stars
2010 100 Miles From Memphis: Three And A Half Stars

tiresome

I could not get thru this cd
her voice is so grating, she is the anti-mary chapin carpenter
whose voice is so pleasant. the songs are dirge and her hatred of freedom of speech is
as annoying as it is laughable. and a michael jackson song, sung badly.
please find love with algore and leave music alone

Introducing the Lovely Ms. Sheryl Crow

This album is an artistic venture which produces a perfection of a personal style that has not been as evident from Sheryl on past albums. 100 Miles from Memphis is a very good album. There are a number of songs which stand out like Sideways, Summer Day, Roses and Midnight and Stop. She does a marvelous job with Michael Jackson's "I want you back" which would not surprise me to be the song that will be the biggest mainstream success. Unlike many reviewers I appreciate Sheryl's activist side and points of view. This album except for "Say What You Want" avoids any political overtones. The more I've listened to the album the more I appreciate Sheryl's talents as a musician and songwriter. Sheryl has proven to be capable of creating songs in any venue but this natural from the heart effort of Soul and Rhythm and Blues accentuate her style as an artist and performer. This album does not shock or dismay but entertains in a way that says a lot about Sheryl's feeling of what music should be all about for her at this point in her life.

Sheryl is her best advertisement and I would immensely enjoy seeing her and this new band perform.

turbokostas' review

The latest effort from Sheryl Crow brings her back to her roots, and this is obvious from the very beginning til the end of the album. Don't expect mega-hits or radio friendly songs. It's just an album you'll enjoy to listen. Highlight of the album: the cover version of "Sign Your Name" which was originally sung and made a mega smash by Terence Trent D' Arby. Well...Sheryl takes the song to a whole new level and she gets a little helping hand by none other Justin Timberlake himself! You won't believe your own ears!!

Lots of soul.

I've enjoyed her work since the begining but being a Soul/R&B fan from the 60's I was very pleased with the retro vibe of these songs and there arrangemnts. Even the covers (Sign Your Name, I want You Back)fit well with the new original material. This is an album that I listen to often, from begining to end.

Get It Girl!! Glad to see you back in the game Fantasia!

Love the music, love her voice, love her emotional connection to the songs. So she sings about problems, the desire to take control of her life, etc...what artist doesn't?

I love the album. GET IT!

Should have taken more time

I loved Fantasia's first album, so when her sophomore album came out and didn't do too well, I was glad to hear that she had taken some time off to create a new album to share her current journey with us. As soon as I played it, I was really disappointed. I played the entire album and none of the songs stuck in my head. I didn't feel connected with her. It wasn't the same for me. She gave it a really good try, but in my opinion, it was a weak attempt at redemption. I hope her next album is better, I will preview it before I commit to a purchase.

FANTASIA HOT HOT HOT

This is what we've all been waiting to hear. You can just sit back and chill with the songs. No gimmicks just real music like it used to be. I have her songs on replay and love to hear all of them. Cannot believe there is a actually a CD where I can just play all the songs and feel like I have my money's worth. Great CD.

R&B is Back!!!!

If you don't have this,RUN don't walk this is a must have. My fellow North Carolinian did her thang on this one. I mean every song brings something. Never have I bought a cd and not skipped at least one song. I put this in and I have to let the whole cd play. From I'm Doing Me to Collard Greens and Cornbread, which is my favorite. I love every song the melodies just compliment each other. Fantasia is a force to be reckoned with. I love real R&B singing and she is bringing it back. Miss Fantasia is here to stay!! So go get it I promise you wont be disappointed. I have been a fan since her AI audition and she never ceases to amaze me!!!

Big fan of Fantasia, but the album is just OK at best.

I waited four years for this album... I was dissapointed. Fantasia is an exceptional singer, and IMO, the best American Idol winner. Her last albums had catchy, well made songs that you could listen to for at least a month without getting bored. This time around, I think her executives didn't make her a priority, when they should have. The songs are bland and mediocre, with the exception of Even Angels, Bittersweet and I'm Here of course. Fantasia's voice is definitely there, but the great production, lyrics and melodies aren't. If you're a fan, you'll appreciate this, but if not, I would pass it. I still love Fantasia, and I hope her next album is much better.

I like this music on this soundtrack very much.

I love the music on this soundtrack. Every song is unique and is appropriately played at different parts in the movie. My favorite track is "Samba Da Bencao" by Bebel Gilberto. This track sounds so soothing and romantic. I don't understand a word of Portuguese, but her voice and musical arrangements on this song are beautiful. Joao Gilberto lends his talents on the tracks "S' Wonderful". and "Wave". He has a similar soothing vocal style as his daughter. My other favorite track is the song by Eddie Vedder entitled "Better Days". I believe this is a song about the quest for inner peace. I love the strings and the accordion featured on this song. Eddie's other contribution to this soundtrack is the song "The Long Road". This song features a singer by the name of Nusrat Fateh Ali Khan. His talent is chanting, and he chants beautiful on this song. This song is very comtemplative. It sounds very pretty too. I love this song. Other songs include the Neil Young classics "Heart Of Gold" and "Harvest Moon". I love the simplicity of Neil Young lyrics on this tracks. Marvin Gaye's dance hit "Got To Give It Up" can still get me moving. This song coupled with Thank You Falletin Be Mice Elf Agin" gives this soundtrack a soulful quality I really like. Another gem on this song is the instrumental piece "Attraversiamo" by Italian composer Dario Marianelli. Attraversiamo is an Italian word that means cross over This five minute insrumental piece makes my heart soar. I really enjoy the music on this soundtrack.

Great soundtrack

I love the idea of this film and the soundtrack really helps to take you through the journey of it. Really well selected and put together.

Music At Last Makes A Comeback...For Adults!!!

Eat Pray Love : Original Motion Picture Soundtrack

I just saw this wonderful movie on August 15th and, at last, movies and music have made a big comeback for women in their 50's...to be shared by our best friends and daughters...and then others. This music, by various artists of the 70's and earlier, strikes the cord of life itself...memory, love, thought, desire, and hope..as well as takes one upon a journey...which is the purpose of the movie. If you loved Neil Young, Marvin Gaye, Kool and the Gang, and the best of the 70's with some older and newer music stuck in between, this is for you. Too bad that Amazon does not have this in stock nor let it be downloaded, as I would have bought or downloaded it tonight earlier. Splendid addition to any collection and perfect for listening to with someone you love...husband, lover, daughter, friend...or,a I did in the movie, first with my best friend, who knows each and every secret of my heart and soul, and then "play it forward" to others...It is my plan when I can get my hands on it!! Five stars..to meet the movie's 5 stars!!

Dog Days are Over

Love the CD and I haven't seen the movie yet so know I will like it even more once I see the movie BUT the trailer song for Eat Pray Love is "Dog Days Are Over" and it's not included on the CD? Very disappointed as that is one of the reasons I bought the CD early.